Here at Art Infliction, we are very structured with things, such as Kaycee And The Forefront and Steve Believes.
However, there will be weeks where Steve Kaycee won’t make the Monday deadline for the former of those two pages, along with the fact that he could have more than one sports entry during a particular week.
But what if Steve could make up for a missed deadline? And what if he had a page to run in tandem with Steve Believes?
Well, the answers are here on this page, as we house both belated assignments and impromptu assignments.
Or in this case, Steve squeezing in a Kaycee And The Forefront entry into this page whenever the aforementioned Kaycee And The Forefront page, along with both The Bonus Round page and Miscellaneous page, are all booked solid.
So now you are most likely wondering, “What is Steve tackling this time?”
Well, he is blogging about discovering the fact that a 183rd movie will be in the A24 catalog.
You can check it out via the entry below!
**Note: To see the blog entry “Re-Assessing 12 Certain Retreads”, simply go here
**Note: To see “Flickasbord, Volume 225”, simply go here
**Note: The following content has controversial wording. Discretion is advised
**Note: The spoiling content contains spoilers
“A 183rd A24 Movie & Feeling Fowl”
Just when I thought that I had every A24 movie documented in blog form exactly a week agp, I come to find out that a new movie has taken the place of “The Death Of Robin Hood” in the upcoming section of that company’s website. And as to what that movie is, well it’s one called “The Debut”, which marks Jesse Eisenberg and Julianne Moore re-teaming for an A24 collaboration the second time, as the first time was for “When You Finish Saving The World”.
Of course, I knew that something was going to come after “Primetime”, but I wasn’t expecting the upcoming section to announce something additional so soon yet here we are. So, with that being said, the question is will I add that movie to my eventual big breakdown of the entire A24 movie catalog? Well, yeah because I’ve increasingly become an A24 addict, along with the stage play aspect of Eisenberg and Moore’s second A24 collaboration reminding me of “Lady Bird”, which is currently my third-ranked A24 movie.
Alright, so as it stands right now, that second Eisenberg-Moore A24 collaboration is among the five A24 movies that will get wide release this year, as the other four are the 2026 Sundance Film Festival release “The Invite”, the Anthony Bourdain biopic “Tony”, the highly-anticipated “Onslaught” and Robert Pattinson’s fifth A24 movie “Primetime”, the last of which has no scheduled United States wide release date nor a release date for anywhere else in the world. But that’s okay, because I can do the wait for streaming thing for three (including The Debut) of those five movies, especially since I want my last 2026 A24 theatrical experience to be the movie that has Adria Arjona number one on the call sheet. Yes, I think it’s awesome about the stage play aspect for “The Debut”, but I don’t think that I can sit in auditorium to assess that movie.
Alright, before I wrap this entry up, I want to do a recap of the four A24 movies that I assessed/re-assessed since a week ago, with that quick recap determining whether if any of those four will eventually reside in Flickesota a.k.a The Flickuum. Let’s begin with “On Becoming A Guinea Fowl”, a movie that I have seen more times (5) in under a year than my favorite Jason Statham movie (Death Race, 4 times) in 18 years, and is a movie that I find myself liking less and less each time that I see it. So, on that basis, it will be both a movie that I will never re-assess again and a movie that remains as mere filler to compete for a Final 95 Flickuum spot in Tier 12. I think I need to watch Death Race twice this year to completely rid myself of the miserable mental stench that is “On Becoming A Guinea Fowl”.
Next is “The Death Of Robin Hood”, which has the aesthetic of “The Northman” a.k.a. evaluation 1,517, and is an excellent slow burn throughout. Yes, Hugh Jackman’s latest movie will reside in Flickesota, but I can’t say the same about the re-assessment that I completed afterwards, as “I Saw The TV Glow” had time-jumps that were way more irritating than those of the James Cagney movie “The Public Enemy” and an ending that is frustratingly abrupt. And if those two things aren’t bad enough, it’s also ranked 15 spots lower than the aforementioned “On Becoming A Guinea Fowl” in Tier 12.
Finally, it’s one of the two A24 movies that I exempted from the refuse to see category, with that movie being the Brandy Norwood-led movie “The Front Room”, simply because it’s in the A24 movie catalog. But after finding myself looking away from my TV screen for more than half of that movie, I came to the conclusions that A] It had no business being in the catalog at all and B] It’s worse than “Dicks: The Musical”. Yes, this unbearable piece of fecal matter has surpassed the movie of gay twincest as the worst movie on the Garbage Claim page, and has a better chance of making the One Hun-Dread page than the New York Jets winning the Super Bowl anytime soon.
My recent run of assessing/re-assessing A24 movies has been a 75% rate of a sad state of affairs, but that’s a small sample size, especially since me thinking of “Saint Maud” in a completely different way now and the anticipation of “Onslaught” will increase my win rate of A24 movies that are up for assessment/re-assessment, retroactive to exactly a week ago yesterday.
Until the next time.
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